Cristina García Rodero

Cristina

Biography

Cristina García Rodero was born in Puertollano, Ciudad Real, and has lived in Madrid since 1968. She studied at the Faculty of Fine Arts of San Fernando in Madrid, where she graduated in painting in 1972. In 1973, she received an artistic creation grant from the Juan March Foundation, marking the beginning of her work documenting Spain’s festivals, customs, traditions, and rituals, capturing the transformations of the Spanish Transition. After 15 years of research, she published España oculta, followed by Europa al sur, España fiestas y ritos, Rituales en Haití, María Lionza, la diosa de los ojos de agua, Transtempo, Combatiendo la nada, Los siete pecados capitales, Con la boca abierta, and Tierra de sueños. She worked with the Vu agency from 1989 to 2005 and is a member of Magnum Photos. Throughout her career, she has received numerous awards, including the W. Eugene Smith Award for Humanist Photography (New York, 1990), the Dr. Erich Salomon Award (Cologne, 1990), the World Press Photo Award in the Art category (Amsterdam, 1993), the National Photography Award (Madrid, 1996), and the Godó Prize for Photojournalism (Madrid, 1996; Barcelona, 2000). She has also been honored with the Gold Medal for Merit in Fine Arts (2005), the National Fine Arts Prize (2005), the Culture Award of the Community of Madrid for Artistic Career (2006), the Gold Medal for Merit at Work (Government of Spain, 2014), and the Gold Medal of the Community of Castilla-La Mancha (2016). Additionally, she was awarded an honorary doctorate from the University of Castilla-La Mancha (2018) and named an Honorary Academician of the Royal Academy of Fine Arts of Galicia (2019). In 2020, she received the Ojo Crítico Especial Award from RNE, and in 2024, she was honored with the Ortega y Gasset Journalism Award for her professional career, as well as the Honorary Award from the Faculty of Humanities of Albacete. Her photography consistently reflects a deep interest in human behavior, conveyed through a poetic style of great emotional power.

Artworks

Atrapada. Caibarien, Cuba

Atrapada. Caibarien, Cuba

2009

Black and white photography on paper

Aloitadores. Sabucedo, Pontevedra

Aloitadores. Sabucedo, Pontevedra

2010

Black and white photography on paper

El Día del Romero. Berrocal, Huelva

El Día del Romero. Berrocal, Huelva

1998

Black and white photography on paper

El poder de Ogú, Plaine du Nord. Haiti. (Producida para Teruel)

El poder de Ogú, Plaine du Nord. Haiti. (Producida para Teruel)

2002

Black and white photography on paper

Furiosa Alegria. Jacmel, Haiti

Furiosa Alegria. Jacmel, Haiti

2003

Black and white photography on paper

Encadenado. Jacmel, Haiti

Encadenado. Jacmel, Haiti

2002

Black and white photography on paper

Venciendo el mal. Chivacoa, Venezuela

Venciendo el mal. Chivacoa, Venezuela

2006

Black and white photography on paper

Fluidos Espirituales. Chivacoa, Venezuela. (Producida para Rekalde)

Fluidos Espirituales. Chivacoa, Venezuela. (Producida para Rekalde)

2008

Black and white photography on paper

Danza Mistica, El Cairo

Danza Mistica, El Cairo

2009

Black and white photography on paper

Trance en Saint Yves Baconois, Haiti

Trance en Saint Yves Baconois, Haiti

2002

Black and white photography on paper

Phi Ta khon Dan Sai, Tailandia

Phi Ta khon Dan Sai, Tailandia

2004

Black and white photography on paper

El Vidente San Sebastian de Garabandal, Cantabria

El Vidente San Sebastian de Garabandal, Cantabria

1995

Black and white photography on paper

Plumas rosas, Paris

Plumas rosas, Paris

2011

Black and white photography on paper

Las viudas de Joselito, Barranquilla, Colombia

Las viudas de Joselito, Barranquilla, Colombia

2009

Black and white photography on paper

El Grito de la ausencia, Sugdidi, Georgia

El Grito de la ausencia, Sugdidi, Georgia

1995

Black and white photography on paper

Expositions

Cristina García Rodero

Con la boca abierta

24 Apr - 21 Jun 2025

Con la boca abierta is a deeply personal project by Cristina García Rodero, born from an intimate observation of her creative process. It is a unique thematic retrospective that spans nearly all the places and subjects the artist has explored over the past half-century. Unlike the eyes, which are often considered the focal point of the face, the mouth—despite its complex musculature and its rich expressive potential—tends to be overlooked. Yet, it is the most perfect translator of human emotion. The accumulation of images depicting people with their mouths open, and all the emotions this conveys—ranging from excitement and enthusiasm to exclamations of joy or deep sorrow—turns the mouth into a profoundly nuanced element, capable of revealing our innermost feelings like nothing else. Open mouths connect us to the universe: it is through them that we breathe in and out, engaging in a silent dialogue with the world around us. Open mouths sustain us in life and allow us to communicate with everything that surrounds us—they are the vehicle through which we shout, scream, suffer, nourish ourselves, laugh, yawn. Every possible shade of emotion is condensed in this essential organ, where feeling takes form. This project represents fifty years of artistic exploration of the human body and soul, approached through this singular perspective—perhaps as it has never been seen before. The resulting series of photographs, beyond their remarkable formal quality, possess an expressive depth—sometimes theatrical or grotesque, sometimes more naturalistic. Carnivals, music festivals, and popular celebrations intertwine with moments at the beach, religious ceremonies, and spiritualist rites. "The thematic breadth makes this series a fascinating polyhedron of life's many facets," explains Cristina García Rodero. The project follows the natural cycle of life, beginning with the cry and open mouth of a newborn and ending with the grimace of death. "I chose to start with the cry of life because an open mouth also expresses suffering. But I specifically chose birth because the moment a baby cries is the moment it begins to breathe on its own—it is no longer breathing through the mother, but through itself. So, I started with birth and ended with death, capturing different situations where people have their mouths open. The truth is, it was a fun process—there is humor, there is tragedy, because life is all of that." Juan Carlos Moya played a crucial role in bringing this project to life at CEART Fuenlabrada in late 2014, and since then, it has evolved in various ways. This special exhibition, curated by Juan Carlos Moya and Rafael Doctor, distills half a century of Cristina García Rodero’s intense artistic work. At the same time, it inaugurates the new gallery project in Barcelona, SELTZ by Ritter Ferrer, which aspires to become a key reference in the city's cultural and artistic scene.